One Two Three Four!

One, Two, Three, Four! I heard this cadence many times last night. And this is what it represents:

One - One Great night
Two - Two Venues. Two great friends.
Three - Three delicious beverages (at each venue)
Four - Four wonderful bands!

It was my first time going to the EchoPlex (below the Echo) and its a decent size venue (similar layout to the Independent in SF, possibly a bit bigger.) If you are ever going to a show here on a Thursday night, make note of the EARLY doors @ 7:30. Show started at 8pm with Castledor:


Tilly and The Wall followed shortly thereafter. The show was as energetic as I expected, but every song was played about 15% slower than you'd be used to hearing. Still extraordinary. I think I want to make babies with the tap-dancing Tilly.


We were out of The Echoplex by 10:15pm! So, we attempted to wait for another cab. This is an exercise in futility in LA. A bus came by, and we hopped it. $2.50 bus fare, took us about half-a-mile to Silver Lake Blvd. at which point I decided it would be a good idea to jog the rest of the way to Spaceland. I made it without dying, although I was excessively sweaty. As we walked in, we were greeted by a few members of The Builders and The Butchers who remembered me from their last performance. They hadn't yet performed, so it was perfect timing!


Finally, thanks to the diligent photo-taking of yours-truly, I was able to document that I saw Port O'Brien... and I'm pretty sure it was fun, though... things were a bit hazy at this stage.

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RATATAT New Album & Concert Schedule

When Beethoven performed his Eroica Symphony for the first time, he left people scratching their heads. It wasn't how Haydn or Mozart did things. It didn't quite sound the way music was supposed to sound. Beethoven dared to explore new directions and in doing so redefined popular music of the time. It's along these same lines that I like to position Ratatat among the influencers of modern music.

I was fortunate enough to get my hands on an early copy of Ratatat's third full length release called, LP3. I can't tell you how happy this makes me. The album pretty much picks up where Classics left off, but it's unfair to say that what you are getting with LP3 is more of the same. It's not. Anyone trained in music theory can see that they are deeply rooted in structure, but like genius minds that have paved the way for music from Beethoven to Pink Floyd they push further with creative energy, emotion, and romanticism using a variety of new sounds.

A great review of the album is written on the Lemur Blog.

The album will be officially released on July 8th and they will support it with a short tour.

Don't miss it.

Jul 7 2008 @ Chop Suey -Seattle, Washington
Jul 8 2008 @ Holocene -Portland, Oregon
Jul 10 2008 @ Slim’s - San Francisco, California
Jul 12 2008 @ echoplex - Los Angeles, California
Jul 15 2008 @ Music Hall of Williamsburg (sold out) - Brooklyn, New York

(Pictured right: Ratatat @ Mighty in San Francisco, July 2007)

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West Indian Girl + Dios Malos @ the Troubadour

It was a dark and stormy night in Los Angeles. My business travels had brought me there for one night and I was fortunate enough to be there on the same night West Indian Girl was headlining at the Troubadour. I had never been to the Troubadour and it was high on my list of venues I need to see before I die. The weather conditions were horrendous yet I battled through the rain with a very 'Blues Brothers' mission-from-God mentality.

Upon entering the Troubadour I was standing in a dank atrium that reeked of rock and roll. To the left I saw a main bar room. Ahead of me, there were doors with a sign above that read 'SHOWROOM'... Given my excitement, It might as well have said 'MECCA'. If you don't know the history associated here, read up here. I had been dying to see this place, and it lives up to everything I've heard, and more. While I still believe that pound for pound, San Francisco has better venues to see live music, the Troubadour has immediately risen to the top 5 places I would ever want to see live music.

Thankfully, I was able to share this experience with one of my oldest and closest friends who I hadn't seen in ages. He recently moved to LA and hadn't been to the Troubadour either.

Of the four bands on the bill that evening, I only saw the last two. Opener, Dios Malos fka Dios, from Hawthorne, CA bring a sweet freshness of sound to the stage that you will enjoy. Album reviews are mediocre at best, but the passion they exude on stage is enough to make me think that somebody fucked up while recording the album. Catch em live if you can... and keep an eye on the drummer as he will have you in stitch with his stage antics.

Headlining was West Indian Girl. Now, if you recall.. I caught a piece of West Indian Girl at the Treasure Island Music Festival several months ago and I liked what I heard enough to buy the album.

West Indian Girl is a psychedelic rock band from Los Angeles. Their name is derived from a strain of LSD that was designed in the 60's by Bear Owsley and Nick Sands. The biggest trip for me, however, was the diversity among the group. I mean, the lead singer, Robert James, looks like the guy from the Spin Doctors, and the bassist, Francis Ten, looks like Dave Navarro. I think the similarities also extend into their musical style. Relax, I'm not bagging on them (or the Spin Doctors).. I think it speaks volumes that each member has their own set of talents, their own look, and their own style.

Each tune explored a different musical direction and they were all pleasing to listen to. In live performance the band is extraordinarily tight and the songs were all very well done. My friend asked if the two leads wrote songs individually which I thought was quite astute. It was almost like hearing two different bands on stage. It was JamBand-Psychedelia. Perhaps this is where things don't quite work for me. I felt as if each song only got me half-excited... but never brought me over the edge. Like I said, the songs are great on the album, and overall pretty good live... but I found myself bored enough to battle through the crowd and stand in the cold rain to smoke a cigarette where I heard others' melancholy longings for the je ne sais quoi that this performance lacked. The band played right through encore theatrics, which I think all bands should do. They ended with my favorite tune off their new album 4th and Wall called, "All My Friends". They scored major points with me by pulling some major creativity. Drummer, Mark Lewis, came up with an instrument that looked like a piccolo (it may have been). Bassist, Francis Ten, pulled out (with extraordinary dramatics) a toy piano... perhaps it was a fisher-price model. Keybordist, Nathan Van Hala, played a Harmonium... and it was a nice way to punctuate my mild discontent with them saying, 'fuck you, we'll play it how we want to, and we don't give a fuck if it sounds good or not." Catch them live this week at NOISE POP on 2/27 opening for MINIPOP at Bottom of the Hill.